#2d compositor reel full#

Enhancing lighting effects and creating convincing shadows within a shot.Working with blue/green screen effects, creating mattes.Stitching plates (live-action footage) together.Paint fixes, rotoscoping, chroma keying, colour and grading continuity, graining/degraining images.Integrating 2D and 3D elements of a shot while balancing the creative and technical side of each component.Responsibilities specific to a Compositing Artist in film may include: For example, they may be given a foreground element that has been shot in front of a green screen which they need to integrate with a matte painted background, CG characters, and FX elements.Д¬ompositors are often also responsible for smoothing out an actorвЂ™s appearance to appear younger (de-aging), and adding 2D effects such as dust particles, lens flare, motion blur, and graphics. When watching a film, on first inspection, it might seem tricky to determine what a Compositor was responsible for, which is actually the point! ItвЂ™s their job is to create seamlessness in and between shots.ДЄs compositing is the last step of the VFX pipeline, Compositors must combine all the 2D and 3D elements that make up a shot, ensuring they appear as though they naturally belong in the same space. Once the supervisors and myself are happy, I then begin to polish and refine my work on a more technical level.вЂќ Role and responsibilities

I always try to find real-world references to support the work I am doing. I then begin to build the shot up creatively. вЂњI will begin blocking the shot out and problem-solving what assets, elements, and techniques will be required. Oscar-nominated VFX Supervisor and CG Spectrum Mentor, Genevieve Camilleri talks about how she tackles a shot as a Compositor:

They match each layer in terms of light and shadow, color and grading, perspective, and depth, while also ensuring each shot maintains continuity within its sequence.Д«efore digging into their shot, Compositors may also be required to research real-life examples, watch reference videos (when possible), and generate multiple concepts. Joined MPC in New York from 2017 as a senior Flame Nuke artist, working on many outstanding projects as a live action VFX Supervisor and 2D Lead Flame.VFX compositors seamlessly integrate CG assets, matte paintings, and live-action footage to make a single moving image, known as a shot. Directing credits include spots for Nissan, GM, AT&T and OLAY among others. My passion and ability to bring creative ideas to life brought me to direct on numerous occasions. Joined award winning studio Shilo, becoming CG Lead, later becoming CG Director and Creative Director. Moved from Tel-Aviv Israel to New York In 2006. I have a strong visual style and a creative approach to vfx. I love the process of integrating live action and CG seamlessly.

#2d compositor reel full#

I have successfully led teams of artists on a wide variety of projects, from design heavy / stylized look to full CG and everything in between. Hands on with compositing, look setting, color. VFX live action supervisor and senior Flame/Nuke lead. Currently freelancing bicoastally as VFX Supervisor and Flame Lead.